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Bases
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Subtext I \ II
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Black Lucifer Rising
by Controlled Death
supported by 67 fans who also own “Península”
I cannot praise this album enough. This album is absolutely terrifying! The many starts and stops creates this very h settling tension. Each start expands on the stopper idea previously. It’s like the music equivalent of walking through thick fog while passing out multiple times throughout trying to find a place to orientate yourself. There may or may not be something sinister in that fog, but you don’t want to stick around to find out. Bought the vinyl so I summon the fog demons through spe
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The Same Destination for Everybody
by N.
supported by 65 fans who also own “Península”
If you're looking for the sound of kindling dread and cold alienation, this is the album for you. I'm used to Deathbed Tapes' output being a sonic assault, and artists whose approach to sound is to invariably push it "into the red". This however is so much more subtler, it's gentler pace drawing-in curious listeners, enveloping them in it's all too intriguing darkness.
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"Axebreaker" is a self-proclaimed anti-fascist power electronics project that rejects the ideological grey zone that haunts much of the noise landscape.
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On her latest record, Margaret Chardiet explores the ways human beings destroy one another.
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The veteran noise unit takes on themes of loneliness and isolation with their harsh, disquieting soundscapes.
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Black Scorpion Rising
by Controlled Death
supported by 65 fans who also own “Península”
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